Then Fate intervened in the form of a text from a friend who had got stuck in the middle of the planning of an apron dress, and then it was of course not a problem anymore since that word was actually in the list. I promptly kidnapped my friend's project.
I won't get into the discussion of how and if and why and when about apron dresses here, since Viking age is really not my era. I didn't delve too deep into the actual entry in the glossary for the same reason, but I decided to trust the Swedish History museum's helpful compilation of reasonably accurate basic patterns (the apron dress being part of a female outfit with the reservation of "burial dress not necessarily what people actuall wore" attached to it) and started sketching with the measurements the dress needed to fit and the amount of fabric we had.
My own pattern. As you can see I don't mind the basic shaping at first, since the scraps won't be good for anything anyway one can just do the fitting on the actual garment instead (a lot better than realising that the waistline turned out to be 5 cm too low!). The fabric is 2m long and 1,5 wide and since we decided that 1 m was too little for lengt, we cut it on the width instead. The red crosses indicate fabric that was later cut away to make the dress shorter. I couldn't figure out a way to do it in a more fabric efficient way. On second thought, maybe four rectangular strips and 3 whole +2 half gores could have produced the shape more or less as well, but hey, I told you I decided to stick to the Museum version! The darker areas in upper left and bottom right corners are where scraps are to be used for the shoulder straps.
Fabric - a lovely black-and-red diamond twill - was cut and pinned and repinned, upper edge was hemmed by hand and the actual hem by machine. The result looks like this at the moment (with bling attached):
The toughest part of this dress is to do something that fits nicely around the waist but that you can still get past shoulders and/or bust, and on second thought we both think this can do with a bit more pinning in front to get a more defined shape. Nothing that can't be done fairly easily, though, trial-and-error method. An underdress over the shift might be added later.
The Challenge: 16, terminology Fabric: Red and black diamond twill wool Pattern: Drafted from the Historic museum one Year: 10th century AD Notions: Polyester and linen thread How historically accurate is it? Hard to say, since there seems to be a lot of debate going on. Also, it's mostly machine sewn. 50%? Hours to complete: 5,5 + 15 minutes for pattern draft. Early period and sewing machines have their uses! First worn: Will be worn 23rd of August. Total cost: Friend says fabric was about 27 euros/m, so I guess about perhaps 58-60 euros including thread bought for the occasion.
Might be updated with more and better pictures later, possibly after some adjustments are made.
After a lazy summer, where I didn't sew much (partly to let my grumpy thumb-joint rest a bit), I'm sort of back on track. For challenge #15 (I skipped 14 as paisley and plaid didn't fit anything I wanted to make, and not my stash for a random in-between project either) I thought for quite a while before I decided on trying to make that partlet I've been talking about forever. I always miss a partlet at outdoor events in autumn, just the shift around the neck is not really enough. Fabric present in stash, pattern in Tudor tailor, what could possibly go wrong?
The fabrics: Black polyester velvet and a choice of camel cashmere wool or navy wool. In the end I opted for contrast and went with the camel coloured.
The construction: This is how I normally do. I measure at a thousand places on the scaled-down patterns in Tudor Tailor, construct geometric shapes to build the basic shape. then use eye measure to get it the details and curves of the patterns "somewhat right" on a piece of scrap fabric.
This time I had to scale it down a size or so and I managed to do it without having to remake the entire pattern as can be seen by the pinned folds in the bottom picture.
The finished pattern, redrawn on leftover Christmas wrapping paper, on the lining fabric. I managed to use the small scrap as well. Had it been just a liiiitle bigger I might have managed to save the entire larger part, but alas. I think the leftovers are enough to be used for something useful later. It's a lovely fabric.
I forgot to take pictures, but then I cut all pieces in top fabric and lining, did the shoulder seams, pressed and pinned the two parts together. Looots of pinning and repinning, since I never learn to cut pieces exactly the same twice. And synthetic velvet is a pain. Really.
Basting. A very good tip to make the velvet behave _somewhat_ at least. It was also quite late at night at this point.
The back of the finished partlet. Here the issues of the unpressable velvet is most obvious. It turned out a lot better than I feared when pinning, but still. When I saw how the cashmere behaved I could only imagine how well it would have come out with wool for both lining and outer fabric. Wool <3
The front looks kind of nice, though. Need to re-do the hook and eye-closure for it to close a bit better. Possibly adding another pair half an inch above the first to get a bit better fit, too.
Side view. Velvet issue visible in the shoulder seam. Serves me right for using synthetic fabric.
The Challenge: Nr 15, The Great Outdoors Fabric: Polyester velvet with cashmere lining. Pattern: from Tudor Tailor Year: 1500s Notions: Sateen ribbon, 1 metre, polyester thread How historically accurate is it? 50% perhaps. Materials - nah, not really. Machine sewn. Hours to complete: Perhaps eight, including fixing the pattern. First worn: Not yet. Probably september. Total cost: 0,5m polyester velvet, about 125 SEK, 0,5 m cashmere from a clearance sale, about 30 SEK, ribbons perhaps 15 SEK. Total cost about 170 SEK or about 17 euros/$30 something.
Forester with all sorts of geeky interests, among them historical clothing and larping. I was one of those who'd never do silly slashed garments and poofy Renaissance, proof that one should never say "never"!
I have HA ambitions which mostly have to stand back for time, money and sanity issues - which means that I have a wardrobe of not-quite-good-enough dresses.
Other interests include drawing, reading, (forest) history and dancing.